Arnaud Anckaert of Theatre du Prisme is a fantastic director and I am delighted that this 2019 commission will be touring France in 2021. It's a beautiful piece of work and a real collaboration between myself, Arnaud, all at Theatre du Prisme and the excellent translator Séverine Magois. 

Theatre du Prisme's production of Simon la Gadouille is also touring in 2021. See their website for details. 

​Quand Lola arrive dans sa nouvelle école (la troisième cette année), elle repère Théo, rappant tout seul dans un coin de la cour de récré, et il semblerait qu’on assiste au début d’une histoire d’amour… deux amoureux maudits par le sort qui se retrouvent en secret sur le toit de l’école. Mais, quand cet amour vire à l’aigre et que le père de Lola menace de tuer Théo, tout devient beaucoup, beaucoup plus sombre.

Christmas Dinner will premier at The Royal Lyceum Edinburgh this December 2021. It's got a MASSIVE sausage in it. And a sprout. Not to mention snow, ice-witches, golden tap shoes, a haunted forest and a girl called Little Spark. 
​
CHRISTMAS DINNER
By Robert Alan Evans
Directed by Gill Robertson
After a horrible year, stage hand Lesley has decided that Christmas should be cancelled. The only festive joy she wants is the turkey sandwich in her lunch box. So she is shutting down the theatre, turning off the lights, packing up the glitter curtains, the giant beanstalk, the fake snow and going home to have dinner alone...
But as the bells of St Cuthbert’s strike twelve, it seems the theatre has other ideas... from the back of the costume cupboard, a troupe of festive spirits emerge with an absolute sack full of festive cheer. Is this the last thing Lesley needs? or can this strange Christmas Gang and their stories help her feel the magic of Christmas again?
Join us for a feast of fun for everyone (even Lesley!) and make The Lyceum Christmas magic part of your family celebration this year. 
#ChristmasDinner
Christmas Dinner is a Royal Lyceum Theatre Edinburgh production. in association with Catherine Wheels Theatre Company.

Lots of writing has been happening. 

When lockdown began in 2020, I was three weeks into rehearsals for a new dance show with Barrowland Ballet and Natasha Gilmore. Learning to Fly should now premiere in 2023. Hopefully someone will remember the moves. 

Meanwhile, I wrote a book. It's in a box. Who knows what it's like. 

Then I wrote a new play called The Ache. Hopefully more news of that soon. 

In France, When I Lie to You Do You Love Me More? is going well thanks to the sterling efforts of Theatre du Prisme. I have not seen it yet. I look forward it. 

Leeds Playhouse had to delay the Christmas show Fairy Poppins and the Naughty Winter Ghost until the spring of 2021. It was so much fun to go and sit in the open air and beautiful warm sunshine of a Leeds day and hear about the frozen forests of winter. 

The other Christmas show from 2020 - A Real Christmas Ghost Story - managed to get a run at Theatre Clwyd before lockdown came in once more, so I hope that whoever saw/listened to that had a good time and maybe one day I'll get to hear/see it myself. 

​And it was a delight to be asked by Tom Mothersdale to write three monologues for the Lockdown Plays Podcast, produced by Tom, Wilf Scolding and Anoushka Warden. I was lucky to have Lesley Sharp, Sinead Matthews and Harry Melling perform the pieces - See, Hear and Speak - and they are really worth a listen. 

And amidst all this I have scraping, peeling, drilling and lifting (lots of lifting) as I renovate a new home. Surely all part of life's rich tapestry.